By: Cass
Whether you're creating content for your own brand, shooting a campaign for a client, or showing up with three bags of props and approximately 47 ideas saved to Pinterest, a little preparation goes a long way. A great content shoot should look effortless. Spoiler: the preparation behind it usually isn't.
I've worked across marketing, content creation, photography, brand partnerships, and production, and one thing remains true across all of them: the more intentional you are before the camera comes out, the more freedom you have to be creative once it does.
So, here's how I like to prepare for a content shoot, with a little magic sprinkled in...
Before deciding what you're shooting, figure out why you're shooting it. Is this content for a product launch? Social media? A website refresh? Paid ads? An upcoming season? A brand partnership? More importantly: what do you want someone to do or feel after seeing it? That answer should guide everything else. A beautiful photo is great. A beautiful photo that communicates something useful for the brand is better.
Pinterest boards, saved Reels, screenshots, campaign references…I love them all. Before a shoot, collect inspiration for things like:
Lighting
Poses and movement
Angles
Locations
Styling
Props
Color palette
Overall mood
The goal isn't to recreate someone else's work. It's to establish a creative direction so everyone involved understands the world you're trying to create. And then?
Be willing to throw part of it out.
Some of my favorite content has happened because the light looked incredible somewhere unexpected, someone started laughing between takes, or I noticed a tiny detail that wasn't anywhere on the shot list. Plan enough to have direction. Leave enough room for magic.
Now we get tactical. Write down the shots you absolutely need to leave with. I like separating mine into must-haves and nice-to-haves. For a brand shoot, that might include:
The hero shots: The images or videos that immediately communicate the product, property, service, or campaign.
The detail shots: Hands, textures, packaging, signage, food, décor, products in use—the little things that make the story feel complete.
The human shots: Someone actually interacting with the product or space. Walking. Pouring. Laughing. Opening. Using. Experiencing.
The filler shots: Yes, filler matters! These are your transitional clips, close-ups, environmental shots, movement, and B-roll that will save your life when you're editing a Reel three weeks later.
And always capture more than you think you'll need. Future You will be grateful.
This is one of the easiest things to forget. That gorgeous horizontal image might be perfect for a website banner…and completely useless for an Instagram Story. Think ahead about the placements you need.
Shoot vertical. Shoot horizontal. Leave negative space for text. Get close. Back up. Capture clean versions without people or graphics when appropriate. If there's a particularly important setup, I'll often shoot multiple variations of essentially the same moment.
You're not just creating a pretty gallery. You're creating a content library. There's a difference.
If you're appearing in the content, your wardrobe is part of the creative direction. Think about the location, brand colors, product packaging, background, season, and overall vibe. Then bring backups. Actually, bring backups for your backups.
An outfit that looks incredible in your bedroom mirror can suddenly blend directly into the hotel wallpaper. A neckline might sit strangely on camera. The weather might betray you. A coffee may mysteriously launch itself onto a white shirt. It happens. I also recommend bringing a few easy pieces that can change a look quickly: a jacket, sunglasses, different shoes, jewelry, a hat, or another layer. One location can easily look like several different shoots with a few thoughtful swaps.
Here's where experience starts talking. Your shoot bag probably needs more than your camera.
Depending on the project, mine might include things like a portable charger, extension cord, clips, safety pins, lint roller, fashion tape, scissors, makeup for touch-ups, hairbrush, extra batteries, water, snacks, and approximately one million miscellaneous things that make no sense until suddenly they're exactly what you need. And if you're shooting products? Clean them. Fingerprints on shiny packaging will humble you very quickly in editing.
Speaking of humbling… Clean. Your. Lens. Camera lens. Phone lens. All of them.
You can have the perfect lighting, gorgeous styling, incredible talent, and the cutest setup imaginable—and then realize everything has a lovely petroleum-jelly haze courtesy of the fingerprint that's been living on your iPhone camera since breakfast. Microfiber cloth. Shoot bag. Always.
Rushing kills creativity. If you think something will take 30 minutes, don't schedule exactly 30 minutes. Give yourself room to adjust lighting, change outfits, move furniture, try a different angle, wait for people to leave the background, redo something that didn't quite work, or chase an idea that suddenly feels better than the original one. A shoot schedule should provide structure, not make everyone feel like they're competing on The Amazing Race.
This might be my favorite one. Don't only hit record when everyone is perfectly posed. Some of the most natural content happens before and after the "official" shot:
Those moments make content feel lived-in instead of staged—and they're often the clips people connect with most.
Before leaving a location, stop. Actually stop. Pull up your shot list and check it. Do you have every must-have?
Check your footage. Zoom into a few photos. Make sure things are actually in focus. Confirm the microphone was recording. Look for weird objects in the background. Make sure you captured enough variations. Because there is no worse feeling than getting home, opening your files, and realizing the one shot you absolutely needed is the one you forgot. Ask me how every creative professional learns this lesson.
Preparation matters. A lot. But preparation isn't supposed to make your content rigid, it's supposed to give you the freedom to experiment. This might be my FAVE part when I've been on production shoots...
Get the must-haves. Know the goal. Pack the bag. Make the shot list. Then look around. Play with the light. Move somewhere unexpected. Try the weird angle. Capture the laugh. Get the shot that wasn't on the Pinterest board because sometimes the content that performs best—or simply feels the most you—is the thing nobody planned.
And that, my friends, is usually where the good stuff lives.
Cheers,
Cass ✨